third release on maceo plex label

ltd 2019 repress in black vinyl - get ready for the third edition of our silver series, we proudly welcome the highly talented, young dj and producer suciu from bucharest to our family. we are about to drop his stunning * vinyl only.

percebes is releasing its third record since its inception in february, well before its first birthday. bent on showcasing portugal’s most talented “under the radar” producers and musicians, the new record is authored by one of the countries most well kept secrets: early jacker. early jacker is famed music producer hugo vinagre, a master of disguise, who is also known as miguel torga or turista. vinagre has a detailed yet minimalistic approach to production as early jacker he explores pure underground house music, inspired by a dubby take on the new york house school.

for this third release, blue night jungle inaugurates its sublabel bnj spirit promoting oriental musics and vibes. turkish-singing live band ayma, future arabic bass producer matrub, the nugget digger unouzbeck and local resident amar du désert introducre on this various the variety of their both occidental and oriental influences

mystic experimental journey

symbolism close out the year with a bang with their third release laying down deeeep dancefloor driven techno soundscapes to lose yourself in. lights off, join in!

third ep from oshana on partisan

patch free, a new zealand born producer, takes the mysterious imprint hubplate out on its maiden voyage. free skirts the ins and outs of house and techno to drive the tone for animalistic dance-floor adventure.

stemming from a period of reflection and adaption, “of time and actuality” expands imbue’s embrace of fusing contemporary minimal house grooves with original instrumentation, resulting in a multi layered and modern interpretation of electronic music.
the miami-based trio, consisting of maximiliano cortes, ignacio vallejo & eduardo j. alvarez, presents “of time and actuality” as the second vinyl release (“imbue” - feb. 2017) on their eponymous imprint, and third overall (“abstractions” - digital, dec. 2017). after several collaborations receiving notable support, ota features a joint composition with rojid (uvar, algorythmic, why so series?) titled “everybody”.
grey marbled 180 gram vinyl only release, housed in a printed sleeve.

lauer always rhymes with power. proven by countless remixes, productions and projects like arto mwambe, black spuma, talamanca system or tuff city kids and his own-brand. there arent many dance floors left that havent been blessed by all this glory. now, the aptly titled third album of frankfurts prime export regarding all things melodic, teenaged and synthesized, intensifies, condenses and hones the sound, he has been developing for years: a topical take on classic dance and 80ies pop figures, disco music in a closet (lauer is still in denial), singing arpeggios, android choirs, beautiful bass lines and sometimes the apparitional architecture of house music.

part 2 of 2 - incl. la bush, cora corona, system love and more

repress with green labels and green sticker on sleeve! luca lozano and dj fett burger return with part two of the three part hands of doom series. following on from the success of the recent sex tags ufo release, hands of doom 2 continues the tradition of early breakbeat and proto-rave inspired club tracks. three slices of rattling drums, low-end subs and bleeped out bleeps make for a cohesive and well informed ep and a welcome addition to the series. keep those peepers peeled for the third and final part, a full album from the duo on luca lozanos grafiti tapes series.

3am spares is a new collection of australian electronic dance music compiled andras and instant peterson that encompasses the darker sounds and later nights of the 1990s and beyond. following on from forerunner compilation midnite spares, this double lp draws from local 12? releases, cdrs and the archives of community radio station 3rrr fm to make a diverse and pumping scene audible once more.

third splitools come with costa harko & spangleman (tsukasa kato & ataru nishikazi)

third ep from raär on his own label, it features his signature dreamy techno. from the brain melting percussions and vocal of a1 to the more experimental breakbeat rhythms and modular rumbles of the b2. four tracks that will fit any deep and emotive moment on the dance floor.

yugen’s third entry, laurine, arrives courtesy of los angeles-based producer and these things take time label-head b. hayes. at just 22 years old, hayes has packed remarkable perspective into this immersive deep-house four-tracker. it’s the work of a true participant. as if hayes work as a dj, producer, and label owner wasn’t enough, he has also put in time as a diy party promoter (he threw the beloved like i, love u parties that used to go down in the chinatown area of chicago) and a production assistant at chicago dance institution smart bar. the sum of all these parts is hayes impeccable ability to balance functionality with sonic taste.

robert heel’s third release on seldom seen is a two sided 12” vinyl with two glitched out atmospheric dub monstrosities.

third official apparition for matthias on his superluminal imprint. following the first catalog and lp -rituals- and the secondary -xel naga- 12- release here it comes the last irrational and not figurative commitment. it was not the coldest, worst nor longest of winters nevertheless, eternal are the mysterious allusions to life and death and the general inevitability of change which were encapsulated within the passage of the seasons by the ancient mind of man.

our third release comes from alex picone an artist and early supporter of our label that we deeply respect for his many skills both in the studio and in the dj booth, and his musical approach that allows him to stay away from trends and clichés. the 3 tracks contained in this ep have been road tested in alex’s live at hoppetosse back in february and weekly dj sets and for us they represent the peak of his relentless audio research into achieving his best mix and eq’ing, so much so this ep comes to you without any audio mastering, recorded straight out from alex’s gear.

neovinyl recordings is once again servin up that -good good- with -where the wild beats are,- the third release in their limited edition sub-series. for this round they ve tapped the chicago maestro garrett david as a contributor alongside label regulars black loops, carlo, and baldo

jazz saxophonist mark turner and pianist ethan iverson present their debut album as a duo.

ltd repress ! third gene on earth release on limousine dream. nothing more to say, be quick, one copy per customer

on the occasion of the third release, we re glad to welcome french dj and music producer dan ghenacia, head behind godeep (his new solo project) and one-third of apollonia, as well as live performer and music producer argenis brito, resident at club der visonäre for over 8 years now and where he hosts his boom n bust party. whereas dan ghenacia proposes an indisputably more grooving and dancefloor-driven version of david k s aquatic machine dream (ts07) that came out at the end of 2016, argenis brito — for his part — delivers a rather dubby and minimalistic interpretation of david k s daydreaming ailleurs (ts10) which was the first track that be released on tone series.

third release from italian duo based in barcelona s-audio.

the third release for planet euphorique comes from none other than d. tiffany herself, delivering four tracks of delicate yet driving, emotional anthems for prime-time dance floor bliss. feel u shows spacial finesse and rhythmic maturity, rumbling robotic basslines elevate the undeniable euphoria supplied by glowing pads and fleeting vocal earworms. whilst the ep is diverse in mood and colour, that undeniable d. tiff steeze is laced through from start to finish, resulting in a crucial record suitable for the club, after party or the next morning.

third installment from dustmite on his own label imprint. dusty dry techno

reissue of this rare nigerian/ghana funk record. incl. the jam african soul power which you might have heard getting spins in the clubs. incl. a poster+extensive liner notes. fela kuti believed the identical twins of basa basa to possess magical powers, bringing luck and prosperity. fela co-produced their first lp, and played on their second. but the wondrous powers of the nyaku twins from ghana reached their summit on their third album, which basa basa recorded with producer and multi-instrumentalist themba t-fire matebese in nigeria. this collaboration resulted in the bewitching homowo album, which combines the earthy mood of the twins and the futuristic vision of themba matebese as well as the hot and sweaty afro disco sound of lagos, where the album was recorded. from the blue title track homowo to the afro disco floor burner african soul power, the album makes a consistent listen. amsterdam based dj collective and vinyl shop vintage voudou makes the highly sought-after lp available again after almost four decades, working in close collaboration with the artists.

currently fizzing up summer crowds on his european tour, the argentinian renaissance man is testing his wares, as he prepares to unveil his third artist album at the turn of 2019. set for release on the martinez brothers perennial cuttin headz imprint, it will herald a fresh jacking chapter for the artist who famously refuses to sit still. an instant statement of intent, ‘so dope’, the first taster from the forthcoming long-player, lives up to its name with a thumping nyc swing, loose twanging slap-bass pops, trippy vox overlays, springy rhythmic elements and all essential conga rolls. with its concrete-thick groove, ‘so dope’ commands an equally robust remixer rollcall. which is exactly what the martinez brothers have recruited... the bossmen themselves get elbow deep with a warped and twisted bassline that snakes around the stately jacking beat, gradually becoming more warped and wonderful as the track progresses. djebali follows with a precision contrast as the vocal shots wrap themselves tightly around a timeless 909 beat and subtle tracks of venomous acid while heartthrob flips it into an all-out rolling techno experience. dope ain’t the word.

lithuanian based label sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. owned by artist gardens of god, who started the label to create his own ‘no limits’ plat-form for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and third son under their belt, the label shows no sign of slowing down, next in line is italian producer alex schaufel (suara, diynamic) who is welcomed to the label with a his heavy hitting four track ep entitled ‘roots’.

dreadsquad, aka marek bogdanski, returns to the scene with the second and third instalments of his riddim machine series. as part of a collaboration consisting of dreadsquad’s own superfly studio and the renowned moonshine recordings, listeners are in for a treat, courtesy of poland’s most prolific reggae dancehall producer. as ever, dreadsquad manage to encapsulate all evolutions of reggae – from rocksteady, roots and rub-a-dub to dancehall and dub – all with a present-day twist to keep the bass bins rumbling and the people skanking.

dreadsquad, aka marek bogdanski, returns to the scene with the second and third instalments of his riddim machine series. as part of a collaboration consisting of dreadsquad’s own superfly studio and the renowned moonshine recordings, listeners are in for a treat, courtesy of poland’s most prolific reggae dancehall producer. as ever, dreadsquad manage to encapsulate all evolutions of reggae – from rocksteady, roots and rub-a-dub to dancehall and dub – all with a present-day twist to keep the bass bins rumbling and the people skanking.

for our second release of 2018 ears have eyes are back with the third instalment of our throng of orbs compilation series. this time around we welcome back old friends, and bring in some new names to the ehe fold, with a collection of tracks spanning deep emotive house music, broken beats and acid dancefloor pressure. first up we have contours, who burst onto the scene in 2015 with an excellent release on the mighty rhythm section, and has put out a slew of great records since then. dither takes time to unfold, but when the fluid acid line emerges from the heady percussion he really sets up the track for dancefloor perfection. for the a2 we welcome back chocky to the label, and he serves up a slice of weighty house music that drips quality and emotion. pickle dat kicks off with an absolute beauty of a groove, understated but weighty, and from there chocky goes on to sprinkle just the right amount of seasoning, with soulful rhodes licks and a wonderful bass line. off the back of their excellent 12- on love on the rocks, elles x violet kick off the b side with yrnyb, a tried and tested dancefloor destroyer. when we heard elles playing this in a dark basement in peckham, we just had to sign it. sometimes a kick drum, an acid line and a half heard vocal is all you need. finishing off the release we have dublin artist replete serving up a lovely slice of hazy, percussive house music that slowly builds to a crescendo. an acidic bassline sits nicely over congas and a warm, rounded kick drum.

by now, the story of how jlin went from working in a steel factory in gary, indiana to being one of the most widely appreciated electronic musicians is well known. “black origami” was one of the most lauded albums last year. seriously prolific and seriously hard-working, she has toured constantly since its may 2017 release and despite being involved in a wide range of projects, still manages to find a balance and time to “do some personal healing and growing.”
here we are over a year later with “autobiography,” the score for her collaboration with renowned british choreographer wayne mcgregor (a collaboration arranged by krakow’s unsound). this isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack stands up on its own with all the emotional peaks and troughs of a well-sequenced lp.

edizioni mondo as a label, has the goal to produce music that is descriptive of concepts, images and environments. inspired by library music, a genre frequently used as theme or background music in radio, film and television in that very same period, the name mondo has its roots in mondo movies, an italian movie genre born in the 60’s. mondo movies are characterized by documentary-like content that addresses several topics from around the world (mondo). numero nove comes courtesy of rotla. also known as mario pierro and raiders of the lost arp, waves is his third contribution to edizioni mondo. downtempo, trippy, playful and pardon us, balearic, its the soundtrack to the fading summer or the one starting somewhere else in this universe. accompanied by remix works from label head l.u.c.a. and balearic (again!) mastermind mark barrott with his sketches form an island healing hands, its the most balearic (threes a charm) record you will hear this side of the summer (wherever you are).

the third release on this frankfurt based imprint features three locals throwing down an intense banger and acidic hypno train on the a side, followed up by darker and jellyfishlike escape pods on the flip side.

(2lp+dl) lucy and rrose, now coming together as the lotus eaters, have established themselves separately as techno artists who are just as comfortable operating in the uncharted area of experimental music. running their own labels (stroboscopic artefacts and eaux, respectively), they have gained a cult following, both influencing and challenging the direction of techno.

third release of studio mule’s new project with miyako koda aka dip in the pool. following the cover versions of ohnuki taeko’s carnaval & mariah’s shinzo no tobira, we made the new version of japanese pop ambient classic “face to face by yumi murata”. extended edit on a side is full of the respect for the original version and ambient version on b side is simply emotional. the first album of studio mule is coming in the beg of next year. stay tuned.

we welcome back lenson with his first solo-ep for the third release on the revenge techniques imprint. being with the label since the very first paling trax output, lenson counts among the best in the young, cutting edge techno producers from rotterdam. highly essential club traxx!

voiski embarks on the third expedition into the cosmic lands .a collection of singular and utopian ambient, electronica and techno tracks illustrated by spectacular picture of layla kerley and bruno compagnet. cosmic adventure is an honest portrayal without fabrication or pretense. too often electronic music is subjected to the damaging opinions of others and categorized in a movement or a trend, choking the freshness out of the sound. cosmic adventure provides a platform of creative energy, a unique platform for unique artists who search nothing except discovering new landscapes and inspiration.

after a seven year hiatus, sam grawe aka hatchback returns with his third album for lo recordings, ‘year of the dragon’. the final installment in his ‘california cosmic sound series trilogy, following ‘colors of the sun’ and ‘zeus & apollo’, ‘year of the dragon’ continues grawe’s personal exploration of the vast horizons of electronica, prog-rock, balearic rhythms and new age atmospheres.
the vinyl lp is housed in a gatefold sleeve and includes a code for free download of the full album with 2 bonus tracks.

as part of the widely respected bbe j jazz masterclass series, koichi matsukaze’s incredibly rare and much sought after album earth mother sees a deluxe repress on bbe music. this is the third highly anticipated release in the series.

matt edwards’ r-time records reissue label drops four more sir lord commix tracks in the third ‘retroactive’ release.

third album of david august, following his ambient album dcxxxix a.c. pressing on 180 gram vinyl, housed in a gatefold sleeve with download code included.

k.a.c.z.m.a.r.e.k”, from the title to the sounds, is intended to be a more personal project for paul ritch – indelibly closer to the confluences of sounds that he hears embodying the spirit of kaczmarek. he drives the mind’s eye deep into the inner-ear with the album’s spacious opening tracks, only to leave your head bobbing with the extraterrestrial rhythms that emerge as the main body of the album. moody and foreboding, loaded with the scattered, staccato and broken beats, more ovular than linear in composition and ranging from vaporous-ambience to hyperventilating grooves, the nine tracks on this album defy categorisation. the “k.a.c.z.m.a.r.e.k” album will give the listener a deep well to return to. the vinyl release will be a fittingly rare issue – only 100 numbered copies are going out, while digital releases will run parallel. keeping with the dark and cryptic theme of the first releases russian artist, sasha sime, is back for his third kczmrk cover design

redeyes releases his third album broken soul last year julien‘redeyes salvi showed off his versatility on his blueprints ep. he now takes it one step further with the release of broken soul, his first full length project for the north quarter. through twelve sincere tracks, the toulouse-based artist showcases an action packed storyline co-starring some of the most sought-after vocalists in the game. not only do manchester legends drs and tyler daley make appearances, but there are also features by fresh nq signee abnormal sleepz, hmd, kinkai and juga-naut as well as ny underground hip hop phenomenon milano constantine. rap, soul and dusty jazz flavour is woven through diverse tracks in both tempo and intensity. the redeyes signature shines bright however, effortlessly capturing current aesthetics and eclecticism. this album shows a veteran artist comfortable in his craft and is not just at home on lenzmans imprint, it possibly signifies the quintessence of the north quarter philosophy. full soundclips available on release week

ben gibson & fundamental interaction’s dyad records welcomes stephanie sykes, joton, electric rescue and binny for the third installment of common purpose series.

there is no elsewhere is haiku salut’s third album and sees the acclaimed trio from derbyshire continue their distinctive re-imagining of dreampop and rural electronica. influenced by the evocative film soundtracks of yann tiersen and benoît charest, the genre-melting electronica of early múm, and the impressionistic writing of haruki murakami, the band have previously released two critically acclaimed albums whilst last year they collaborated with public service broadcasting on the track “they gave me a lamp”, which featured on the psb’s top five album, every valley. yet it is this release that sees the band finally find their place, both musically and politically.

overview roll the dice is the swedish duo consisting of malcolm pardon and peder mannerfelt. pardon is a storied composer of film and television music. mannerfelt s acclaimed third solo album ‘controlling body’ cemented him as in the top handful of creative forces working in experimental electronic music. this theatrical, surprising, world premiere performance cemented the two musicians as spearheads of a fractured type of future basement jazz. for this record they selected extracts in 2017.

after some outstanding releases from stojche, aybee and kuba sojche, dmk step up again with another impressive release, this time with john shima who delivers the stealth ep. after recent releases on exalt and firescope records, the quality continues across this ep, with four cuts of deep atmospheric techno.